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Aftermath: The Philosophy of the Beat Generation

Aftermath: The Philosophy of the Beat Generation
Esquire Magazine 3/58

“The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way–a vision gleaned from the way we had heard the word ‘beat’ spoken on streetcorners on Times Square and in the Village, in other cities in the downtown city night of postwar America–beat, meaning down and out but full of intense conviction–We’d even heard old 1910 Daddy Hipsters of the streets speak the word that way, with a melancholy sneer–It never meant juvenile delinquents, it meant characters of a special spirituality who didn’t gang up but were solitary Bartlebies staring out the dead wall window of our civilization–the subterraneans heroes who’d finally turned from the ‘freedom’ machine of the West and were taking drugs, digging bop, having flashes of insight, experiencing the ‘derangement of the senses,’ talking strange, being poor and glad, prophesying a new style for American culture, a new style (we thought), a new incantation–The same thing was almost going on in the postwar France of Sartre and Genet and what’s more we knew about it–But as to the actual existence of a Beat Generation, chances are it was really just an idea in our minds–We’d stay up 24 hours drinking cup after cup of black coffee, playing record after record of Wardell Gray, Lester Young, Dexter Gordon, Willie Jackson, Lennie Tristano and all the rest, talking madly about that holy new feeling out there in the streets- -We’d write stories about some strange beatific Negro hepcat saint with goatee hitchhiking across Iowa with taped up horn bringing the secret message of blowing to other coasts, other cities, like a veritable Walter the Penniless leading an invisible First Crusade- -We had our mystic heroes and wrote, nay sung novels about them, erected long poems celebrating the new ‘angels’ of the American underground–In actuality there was only a handful of real hip swinging cats and what there was vanished mightily swiftly during the Korean War when (and after) a sinister new kind of efficiency appeared in America, maybe it was the result of the universalization of Television and nothing else (the Polite Total Police Control of Dragnet’s ‘peace’ officers) but the beat characters after 1950 vanished into jails and madhouses, or were shamed into silent conformity, the generation itself was shortlived and small in number.”Jack Kerouac

Kerouac Cassady
Jack Kerouac with Neal Cassady


This Is The Beat Generation 
by John Clellon Holmes
The New York Times Magazine, November 16, 1952Several months ago, a national magazine ran a story under the heading ‘Youth’ and the subhead ‘Mother Is Bugged At Me.’ It concerned an eighteen-year-old California girl who had been picked up for smoking marijuana and wanted to talk about it. While a reporter took down her ideas in the uptempo language of ‘tea,’ someone snapped a picture. In view of her contention that she was part of a whole new culture where one out of every five people you meet is a user, it was an arresting photograph. In the pale, attentive face, with its soft eyes and intelligent mouth, there was no hint of corruption. It was a face which could only be deemed criminal through an enormous effort of reighteousness. Its only complaint seemed to be: ‘Why don’t people leave us alone?’ It was the face of a beat generation.

That clean young face has been making the newspapers steadily since the war. Standing before a judge in a Bronx courthouse, being arraigned for stealing a car, it looked up into the camera with curious laughter and no guilt. The same face, with a more serious bent, stared from the pages of Life magazine, representing a graduating class of ex-GI’s, and said that as it believed small business to be dead, it intended to become a comfortable cog in the largest corporation it could find. A little younger, a little more bewildered, it was this same face that the photographers caught in Illinois when the first non-virgin club was uncovered. The young copywriter, leaning down the bar on Third Avenue, quietly drinking himself into relaxation, and the energetic hotrod driver of Los Angeles, who plays Russian Roulette with a jalopy, are separated only by a continent and a few years. They are the extremes. In between them fall the secretaries wondering whether to sleep with their boyfriends now or wait; the mechanic berring up with the guys and driving off to Detroit on a whim; the models studiously name-dropping at a cocktail party. But the face is the same. Bright, level, realistic, challenging.

Any attempt to label an entire generation is unrewarding, and yet the generation which went through the last war, or at least could get a drink easily once it was over, seems to possess a uniform, general quality which demands an adjective … The origins of the word ‘beat’ are obscure, but the meaning is only too clear to most Americans. More than mere weariness, it implies the feeling of having been used, of being raw. It involves a sort of nakedness of mind, and, ultimately, of soul; a feeling of being reduced to the bedrock of consciousness. In short, it means being undramatically pushed up against the wall of oneself. A man is beat whenever he goes for broke and wagers the sum of his resources on a single number; and the young generation has done that continually from early youth.

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San Francisco Bay, Past and Future

Visualizing San Francisco Bay’s Forgotten Past

MATTHEW M. BOOKER

To begin: One question and one metaphor. The question is, what use is visualization to historians? How does this method add value to the work we do? The metaphor is accretion, the term geologists use to describe the building up of new soils through deposits of materials eroded elsewhere. Accretion works to describe the process by which generations have modified San Francisco Bay without destroying that which came before. That history remains, even if it is invisible to the naked eye. Visualization helps us recapture the forgotten past.

Archaeologists see the past as a series of layers. They dig through one past into another. Historians can think in similar terms. Many people in the American West think of nature as timeless and human creations as quite recent, even superficial. The San Francisco Bay is in fact a young land with deep human history. The current bay has only existed for some five thousand years or so, as rising seas flooded river valleys already inhabited by Indian peoples. Their forgotten but not erased past was visible in the hundreds of shellmounds these people raised over the millennia.

But rather than this astonishing story of Indian persistence — adapting to environmental change to inhabit the same places for more than a thousand years! — many Americans think San Francisco Bay’s history began with one of the great geo-engineering events in American history, the California Gold Rush.

The usual story of the Gold Rush is the story of individual miners making their fortune. In fact most miners never did find wealth. Nor was this a story about individuals. Surface gold quickly ran out and the miners with pans gave way to the nation’s most heavily capitalized corporations. Mining companies hired men to dam rivers and use water cannons to wash down the mountains for the gold inside. From the 1860s through the 1880s, hydraulic miners washed more soil, sand, and gravel out of California’s Sierra Nevada Mountains than all of the earth ever excavated from the Panama Canal. This soil filled parts of San Francisco Bay by more than a meter. The gold rush also spurred another, lesser known mining industry, one that flowed in the opposite direction.

Beginning in the 1850s, salt miners converted much of south San Francisco Bay’s tidal marsh and wetlands into evaporative salt ponds. Salt miners adapted an ancient method to industrial production. The ancient part was the steady ocean wind evaporating water and leaving salt behind. The industrial part was the use of windmills, later electric pumps and bulldozers to move the brine through a series of pools and to produce millions of tons of sea salt each year.

South San Francisco Bay Salt Ponds, 1857-1931.

South San Francisco Bay Salt Ponds, 1857-1931.

Salt was and remains one of the most important mining industries in California. Indeed by volume and by value salt often surpassed gold. By the 1930s salt mining was among the largest land uses in the San Francisco Bay region.

Only a tiny fraction of this salt went to preserve food, such as in the canneries of the Sacramento Delta where generations of Asian and later Mexican workers packed asparagus for the world market. Most salt went to mines in the mountains where it leached gold and silver from rock, to chemical plants to make bleaching agents for the paper mills of the Pacific Northwest, to Western oil refineries to make gasoline, to water treatment plants for the West’s burgeoning cities, and to make napalm jelly for the war in Vietnam.

Leslie Salt Company Ponds, 1931-1970s

Leslie Salt Company Ponds, 1931-1970s

Here too what began as a family business rapidly became a corporate endeavor, then a monopoly as one company, Leslie Salt, bought up all the others and converted almost the entire shoreline of the bay south of San Francisco into vast stagnant pools walled off from the tides of the bay.

When salt companies converted the marshes and beaches of the bay into salt ponds they destroyed other uses of the edge. During the nineteenth century, the margin of San Francisco Bay was a public space, a place where people picnicked, played, rested, made love — and where thousands of people hunted, fished, and foraged for food. These uses depended on the bay remaining a commons, a shared space open to all. The mudflats and marshes were not just ideal locations to build salt mines. They were also the bay’s nursery for young fish and crabs, the most important links in the Pacific flyway hosting millions of ducks and geese each year, and vast factories for shellfish and shrimp.

In fact some of California’s first commercial fishermen netted bay shrimp, dried them on the shoreline, and then sent dried shrimp powder across the Pacific to China. At least three Chinese shrimping villages survived into the late nineteenth century. Chinese shrimpers were the focus of thirty years of discriminatory state licensing laws, gear and seasonal restrictions, and harassment.

Chinese shrimp fishers, San Francisco Bay, circa 1889.

Chinese Shrimp Fishers, San Francisco Bay, circa 1889. National Archives. Courtesy National Oceanic and Atmospheric Administration Historical Fisheries Photograph Collection.

One of the California Fish Patrolmen who would persecute Chinese shrimpers was a young Jack London. Like many policemen, London joined the Fish Patrol after first leading a life of crime. At age 14 he became an oyster pirate to escape a dead-end factory job. He used the lawless spaces of the bay’s edge to find freedom.

Jack London’s writings, snapshots of families on the Berkeley beach, photos of Chinese shrimpers and clam diggers — these sources give tantalizing glimpses into the social world of the working majority in nineteenth century California. Most Californians then and now were city dwellers. Most, like Jack London’s family, were lifelong renters who moved frequently, often to escape debt. For Jack London and for many other common people, the public spaces on the shore were essential to their economic livelihood but also to their sense of personal freedom.

Jack London described factory work as slavery, bondage he got free of only by stealing and selling oysters. London did not see it as stealing. He claimed that the oysters he pirated grew in a public space and were therefore the property of everyone. San Francisco economist, philosopher, and labor leader Henry George spoke for millions of Americans when he argued that monopoly control of land was the greatest threat to the American democracy.  But George failed to see it was in the bay and not on land where monopoly was most obvious.

With assistance from graduate and undergraduate students at Stanford University, I mapped the process by which oyster growers first colluded to fix prices, then combined to crush competition, and finally absorbed into a single company with monopoly ownership of all the oyster beds of San Francisco Bay. We found that as the state of California sold its underwater lands to raise money for, among other purposes, the University of California, Morgan Oyster Company bought them up. All of them. Sometimes Morgan did this directly, sometimes with middlemen, and sometimes it simply claimed land that the state never sold.

Morgan Oyster Company Holdings, 1885-1930

Morgan Oyster Company Holdings, 1885-1930

On the eve of the Great Depression, one company not only dominated production of Atlantic oysters in California, it also controlled all the space where oysters could be grown: the definition of a monopoly.

Monopolizing Oyster Space

Monopolizing Oyster Space

Like many monopolies, Morgan did not last long. The company closed in 1930, selling some of its land to cement manufacturers and some to salt miners, who coincidentally were finishing their own period of consolidation into the Leslie Salt Company. Leslie ruled the bay from 1931 to the late 1970s, when they sold their remaining salt ponds to Cargill, a multinational that is one of the world’s largest privately-held corporations. Like the oyster growers, Leslie fenced the public off its tens of thousands of acres.

As Leslie drowned the marshes behind its dikes, one predictable and one very unlikely thing occurred. Predictably, the populations of salt marsh-dependent species in California plunged until a handful of animals and plants were on the verge of extinction. Unexpectedly, however, the salt ponds turned out to be a great habitat for certain species of waterfowl, including ones that people like to hunt. And so for forty years, salt mines fed and sheltered millions of waterfowl. The privatized bayshore was off-limits to hunters, fishers, and foragers, but it was a paradise for ducks.

I want to emphasize that it was an accident that salt ponds fed birds. Leslie was a corporation and it existed to maximize profits. From the beginning, it is clear that Leslie intended to make salt only until some other more profitable use could be found for its ponds. After the Second World War, as the San Francisco Bay Area boomed, Leslie began making plans to fill its salt ponds and build housing developments modeled on the suburban waterways of Florida. At the same time, the shoreline re-entered the public consciousness as conservationists protested the plans to fill in the remaining marshes and citizens groups pointed out that in 200 miles of shoreline, San Francisco Bay had only four miles where the public could actually reach the shore.  In 1968 California created a new state agency to manage San Francisco Bay. The Bay Conservation and Development Commission stopped new fill, but it created no new public space.

Word Cloud of Nixon's Signing Statement

www.wordle.net

That changed in 1972 when Republican Congressman Pete McCloskey got a bill through Congress authorizing the nation’s first urban national wildlife refuge. President Nixon added a signing statement, in which he pointed out that San Francisco Bay was more than a third smaller than it had been in 1850, and that nearly three quarters of the bay’s marshes had been destroyed for housing, industry, airports, and salt mines.

San Francisco Bay National Wildlife Refuge, 1972-2004

San Francisco Bay National Wildlife Refuge, 1972-2004

Changing ownership had surprisingly little impact on how the salt ponds were managed. The federal government managed the land for a very narrow vision of the public good. The salt ponds were now primarily managed for waterfowl, with some environmental education. Joggers were allowed onto the tops of the dikes, fishers got one hard-to-access pier, and board sailors got a handful of launch points. But no one was allowed to forage, new fences went up, and the margin remained off limits to the broader sense of public that had characterized the nineteenth century.

Then in 2003 Senator Dianne Feinstein announced a deal to purchase most of Cargill’s remaining salt ponds and to double the size of the refuge. It would be one of the largest restoration projects in history. The 2003 acquisition coincided with a powerful new push to make the shore public once again. In the 1980s and 1990s local citizens groups rallied around the idea of historical ecology — of opening up creeks that had been buried for decades, restoring marshes for endangered species, and allowing greater public access to the shoreline. Empowered with maps comparing the current bay to how it looked when Europeans arrived, local groups pushed for not just managing the refuge lands for waterfowl but rather to open the seawalls and let the tides in again. That process is ongoing, and it is far more democratic and science-based than any previous management of the bay’s margin. Foragers are still largely left out of the conversation, but at least it is a conversation.

If our story ended there it would be an interesting, but hardly surprising one. Wildlife refuges elsewhere have seen similar transitions. But the future promises to exacerbate the contest over access to the bay’s edge. Sea level has been rising since the 1850s, and it is projected to accelerate in coming decades, rising somewhere between 16 inches and 3 feet by 2100. This rise throws into question all that has come before. If society does nothing the bay appears likely to refill to its 1849 shoreline, flooding the ports, factories, and freeways built since the gold rush.

Predicted Sea Level Rise

This image is based on a map produced by the San Francisco Bay Conservation and Development Commission

But this society is not going to just let nature take its course. Americans are too invested in the current users of the shore, and recently they have doubled down. Both Google and Facebook, the stars of Silicon Valley, have recently built immensely expensive headquarters on filled land in the path of rising tides. Both expect the public to defend their property at public expense.

Local environmental organizations use historical ecology to make a claim for a previous system that worked. Implicitly they also claim a voice for the everyday people of this place in managing the bayshore. But do environmentalists remember the inhabited bayshore, the human uses and purposes of the nineteenth century bay?

What has been eroded from our memories of the shoreline is that human bay, the many uses that an open access bayshore offered. Those older uses are layers of accreted history — marshes, oyster beds, salt mines, and wildlife refuge. Until it is an edible landscape once again, this place cannot be considered whole, or healthy.

If we cannot even visualize what that past looked like, it becomes much more difficult to imagine its future.

 

Originally published by Matthew Booker on June 11, 2012. Revised for the Journal of Digital Humanities September 2012.


Copyright for the images above by the Spatial History Project at Stanford University.

 

About Matthew M. Booker

Matthew Morse Booker is associate professor of American and environmental history at North Carolina State University. His work examines the intersection between human beings and the natural world in North America, with a particular focus on the coastal regions. His first book, Between the Tides: Layers of History in San Francisco Bay (University of California Press, 2013) investigates ownership and ecology in a contested urban and natural space. Matthew’s current research traces the history of food production in American industrial cities of the late nineteenth and early twentieth centuries. From 2008-2010 Matthew was a founding member of a collaborative student-faculty experiment at Stanford University, the Spatial History Project, using mapping tools to creatively frame and visualize historical problems. He remains an affiliate scholar. Matthew is also active in the Research Triangle Digital Humanities community.

 


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San Franciscos Top 10 Offbeat Museums – San Francisco – Arts – The Exhibitionist

San Francisco’s Top 10 Offbeat Museums

Categories: Museums

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The ever popular Craft Bar at the Museum of Craft and Folk Art

As a local arts writer, I’m the first person friends and family go to when they want to visit a museum, but my answers often surprises them. I love the SFMOMA and the de Young as much as the next person, but there’s more to this town than big museums. Nearly every neighborhood in San Francisco boasts a small museum with a highly specific focus, and here are the 10 best, offbeat, charming museums you should know about.

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Randy Dodson
Plates fused together in the aftermath of the 1906 earthquake at the San Francisco Fire Department Museum.

10. The San Francisco Fire Department Museum

Blink and you’ll miss the entrance to the San Francisco Fire Department Museum in Pacific Heights, free to the public Thursday through Sunday from 1-4p.m. Whether you’re into water grenades, Lillie Coit, bed keys, Mark Twain, immigration, carriages, guns, the 1906 fire, or just like looking at old timey photographs of hirsute men, this is the museum for you.

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A gallery at the Long Now Foundation.

9. Long Now

The Long Now Foundation is tucked away in Fort Mason Center’s Building A, but it has lofty goals: to make long-term thinking more common and creatively foster responsibility in the framework of the next 10,000 years. Stop by and see the Rosetta Project, a three-inch disk which promises to preserve civilization for us all. cases-lgbt

The GLBT Museum.

8. The GLBT History Museum

The first of its kind in the United States, the GLBT History Museum consistently produces innovative exhibitions and special programs. Open seven days a week, the museum celebrates 100 years of the city’s vast queer past through exhibitions highlighting treasures culled from the archives, including two new shows opening later this month. “For Love and Community: Queer Asian Pacific Islanders Take Action” spotlights photographs and audio clips of activism. A corner gallery exhibition will focus on the modest publication, “Play Fair,” which launched the gay community’s sex-positive response to the AIDS crisis.

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The Cartoon Art Museum

7. The Cartoon Art Museum

The Cartoon Art Museum houses over 6,000 pieces and has five regularly changing galleries of exhibition space, along with exciting lectures, cartooning classes and workshops, as well as an excellent bookstore. Visit “Avengers Assemble!” to see five decades of Earth’s Mightiest Heroes, including Captain America, Iron Man, Thor, and the Incredible Hulk.

6. The Museum of Craft and Folk Art

The exhibitions at the Museum of Craft and Folk Art are constantly changing, but you have until December to catch “Fiber Futures: Japan’s Textile Pioneers.” The show explores new art emerging from the fusion of Japanese artisanal and industrial textile making. On the first Thursday of each month the museum works with Etsy for the Craft Bar, a wildly popular special program with just the right mix of instruction and socializing. Earlier this month, artist Suzanne Morlock taught attendees how to transform old cassette tapes into a fiber-forward fashion accessory. In October, Rebecca Burgess will lead a workshop on creating individual natural dyes using locally grown coreopsis tinctorium.

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San Francisco History Center, San Francisco Public Library
A street kitchen.

5. S.F. Public Library

The San Francisco Public Library has non-circulating special collections and various exhibitions spaces throughout the building, which highlight archival treasures, including rare books, photographs, posters, manuscripts, and ephemera. The History Center serves as a repository for all aspects of San Francisco life and history, and will open an exciting new exhibition this week on the second floor. “Street Food: 1906 Earthquake Kitchens” will show “a city torn but banding together for survival and, as will be found with good food, even some pleasure in the face of disaster.”

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Singing the Golden State at the Society of Pioneers.

4. The California Society of Pioneers

Are you the descendent of a pioneer who arrived in California prior to 1850? If not, you can’t join the Society of Pioneers, but you can visit. Pay the $5 admission and wander through “Singing the Golden State,” an exhibition celebrating California’s early musical life. James M. Keller, renowned program annotator, took time away from dual appointments at the New York Philharmonic and the San Francisco Symphony to curate the show, lending many items from his personal collection. The Society is open Wednesday – Friday 10 a.m.-4 p.m. and Thursday until 7 p.m.

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The Museum of the African Diaspora embraces technology to teach visitors about “the scattering of people from Africa and the sowing of their cultures globally.” Interactive displays and multimedia presentations are typically utilized to explore the global African experience. Permanent exhibitions cover the origins, migration, adaptation and transformation of the cultures and cultural beliefs, and practices of African descendants, including “Culinary Traditions” and the “Freedom Theater.” A new show opening at the end of the month: “Desert Jewels: North African Jewelry and Photography from the Xavier Guerrand-Hermes Collection,” will feature 94 spectacular jewelry pieces.3. The Museum of the African Diaspora

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Museum of Performance and Design.

2. The Museum of Performance and Design

I’ve said it before, and I’ll say it again: The Museum of Performance and Design is an overlooked treasure in San Francisco. Located on the fourth floor of the Veteran’s Building on Van Ness, it houses the history of the performing arts in the city. The exhibition “Toy Theaters: Worlds in Miniature” features 21 rare toy theaters dating from the 18th century to the present.

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Fast passes at the Railway Museum.

1. S.F. Railway Museum

After you’ve sampled everything the Ferry building has to offer, head over to the San Francisco Railway Museum, open Tuesday – Sunday, 10 a.m.-6 p.m. Admission is free for this sleek, miniature museum, and an employee will likely direct you to complement the visit by hopping on the F streetcar line, a historical fleet considered one of the most outstanding in the world. View urban life in San Francisco through the lens of transit history, and you won’t be disappointed.

For events in San Francisco this week and beyond, check out our calendar section. Follow us on Twitter at @ExhibitionistSF and like us on Facebook. Follow Alexis Coe on twitter @alexis_coe.
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Dolores Park ‘Castle’ Avoids Neighbors’ Appeal – Mission Loc@l : News From San Franciscos Mission District

Dolores Park ‘Castle’ Avoids Neighbors’ Appeal – Mission Loc@l : News From San Franciscos Mission District

Photo via 601dolores.com

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Last year the San Francisco Children’s Day School shocked real estate circles when it acquired the coveted Dolores Park “castle” at 601 Dolores St.

The school cruised through the city’s permitting process to convert the 20,000-square-foot property from a 12-room mansion into a middle school. However, it was soon hit with an appeal by neighbors who were concerned about possible noise associated with a rooftop deck and garden, said Supervisor Scott Wiener.

After weeks of negotiations through Wiener’s office, the school avoided a costly appeal after striking a deal with the neighbors, who had claimed that an environmental review of the property was required — a process that could take up to a year.

Under the agreement, the school has agreed to reduce the size of the roof deck and limit the hours that school staff and children can access the roof, according to Wiener’s office.

via Dolores Park ‘Castle’ Avoids Neighbors’ Appeal – Mission Loc@l : News From San Franciscos Mission District.

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San Francisco — the Good Stuff!!!

DISCOVER SAN FRANCISCO From Sparkletack

 

San Francisco History, Photo Archives, Map Archives, Walking Tours, Museums, Online Resources, Running Tours and Historical Organizations

History Resources
  • April 18, 1906“Exploring San Francisco’s 1906 earthquake and fire through the photographic archive” — A new and interesting project, which pulls out individual period photos and digs in deep.
  • Bay Time Reporter
    A series of smart, funny and insightful columns on a staggering array of Bay Area historical (and contemporary) subjects, written by the inimitable Paul Potocky. Highly recommended… the man can write.
  • California Business History
    Don’t be put off by the awkward design; this site is actually packed with timelines, photographs and histories of California (and San Francisco) businesses.
  • California Historical Society
    The grand-daddy of California history in its physical incarnation, the Society’s website features an online guide to over 300 years of California history. This resource includes over 400 images from their fine arts, library, and photography collections.
  • Library of Congress
    The “American Memory Project” — just type “San Francisco” into the search bar and jump back at the flood of photos and historical artifacts… this is the Library of Congress, after all!
  • Market Street Railway
    All things “streetcar”, packed with historical articles and photos — the home of the brand new “San Francisco Railway Museum”
  • Mister SF
    Long time chronicler of the city’s faces and places. This website features countless short takes on aspects of life in our favourite city — local joints, the vanishing of favourite haunts, literary/cinematic history and more.
  • Online Archive of California
    A part of the “Digital Library of California” — over 1,000 texts available. These include transcripts of oral histories, personal narratives, letters, press releases, newspaper articles, and other types of documents.
  • Russian Hill Neighbors
    Small site — couple of nice walking tours and a guide to neighborhood architectural styles, run by a non-profit neighborhood association.
  • San Francisco Genealogy
    An incredibly rich and comprehensive collection of historical sources — always my first stop on quests for information. Many primary sources, maps, and a forum where host Ron Filion helps answer your San Francisco history questions.
  • San Francisco Memories
    A loving tribute to our fair city from a passionate collector of San Francisco ephemera — photo intensive and quite lovely.
  • San Francisco Virtual Museum
    A long running and deep archive dedicated to historical accuracy, curated by the energetic Gladys Hanson. A terrific source for primary texts & photos, currently featuring major exhibits on the Gold Rush, Golden Gate Bridge, and ’06 Quake.
  • The Western Neighborhoods Project
    “Preserving the history of San Francisco’s West side” — An excellent site featuring photos, memories, and passionately in-depth essays documenting the lesser-known half of San Francisco.

Historical Photo & Map Archives

  • America Hurrah!
    A little treasure trove of California historiana with a San Francisco slant — click on a link and a map, reminiscence, or who knows what may result. Good fun…
  • April 18, 1906
    “Exploring San Francisco’s 1906 earthquake and fire through the photographic archive” — A new and interesting project, which pulls out individual period photos and digs in deep.
  • Calisphere – University of California
    A part of the “Digital Library of California” — More than 150,000 digitized items, including photographs, documents, political cartoons, works of art, diaries, advertising, and more…
  • Charles Cushman Photograph Collection
    Charles Cushman, amateur photographer, bequeathed 14,500 Kodachrome color slides to Indiana University. Hundreds are of San Francisco in the ’30s, ’40s, and ’50s.
  • Old SF
    Interactive map of the SF Public Library’s Historical Photograph Collection, which contains 40,000 digitized images from San Francisco’s past.
  • Online Archive of California
    A part of the “Digital Library of California” — access to tens of thousands of photographs, paintings, graphical materials and other images, which can be organized by topic.
  • Rails Around the Bay
    Frank Caron is an Amtrak engineer and passionate rail buff. His website focuses on railroads operating in and around the greater San Francisco Bay Area, including the history of operations in the area, maps, drawings and historical diagrams.
  • Rumsey Historic Map Collection
    This stunning collection of cartographic ephemera from the 18th and 19th centuries includes atlases, globes, school geographies, books, maritime charts, and more. Insanely cool.
  • SF Images
    Images of the past and present day, people and places, structures and landscapes. Large collection of historical photographs, from pre-Gold Rush times to today, all digitally mastered at high resolution.

San Francisco Walking  and Running Tours

  • Barbary Coast Trail
    The famous self-guided walking tour — follow the bronze medallions in the sidewalk!
  • Oakland Walking Tours
    Free walking tours of historic downtown Oakland — explore the Railroad Era, Chinatown, Art Deco Uptown, the Jack London Waterfront, Preservation Park and so much more. Sponsored by the City of Oakland.
  • San Francisco Tour Guide Guild
    “A professional, non-profit corporation of experienced tour guides and members of the travel industry.” They maintain the prefessionalism of the industry through tour guide certification, but also offer their own tours.
  • Walking in San Francisco for Health and History
    “Meet other locals interested in walking for fitness and in learning about the history of San Francisco. Most Saturdays we go on long walks that have great variety in distance, stair climbing, and amount of history information. Walks are free.”
  • Explore SF
    Explore SF offers unique tours that from a local perspective that for the most part avoid anything touristy. Each tour offers something above and beyond a normal tour, be it  lunch and a spa visit in Japantown,  Wine Country in the City,  1970′s Folsom District Tour, Sin Francisco to the SF Armory or a WIld Parrot Safari, “These tours are not to be missed.”

  • SF Scenic Running ToursThe newest trend in staying in shape and meeting new people. Running
    tours led by professional trainers and experienced guides, all of whom are
    locals, and they take you on the most beautiful runs through the most
    breathtaking city in the world. We challenge you to find a more positive way to see San Francisco. If you can find one, we’ll pay your way…

San Francisco Museums and Archives

  • Bancroft Library
    California’s memory bank on the UC Berkeley campus, one of the largest special collections in the U.S. Includes the Mark Twain Papers, Regional Oral History Office, UC Archives, History of Science & Technology Program, & Pictorial Collection.
  • San Francisco Performing Arts Library & Museum
    Documenting and preserving the Bay Area’s rich performing arts heritage from the Gold Rush to today – and making it available to us! Programs, events, exhibitions, and the fabulous library. Based on dancer Russell Hartley’s private collection, ca 1947.
  • Treasure Island Museum
    Once upon a time there was a museum on Treasure Island. Someday it may return, but ’til then, enjoy the museum’s website, featuring a “Memory Book” message board, info about the collections in storage, and “Treasures”, an illustrated history of the Fair.
  • Wells Fargo History MuseumThis colorful museum features a beautiful stagecoach, piles of real gold, and many other exhibits focusing on San Francisco’s Gold Rush history. Even cooler, it’s located on the very spot in which Wells Fargo opened for business in 1852!

Contemporary Online San Francisco

  • FunCheap SF
    “Finding fun and cheap stuff to do San Francisco and around the Bay Area.” Yahoo group dedicated to having fun in the Bay Area on the cheap. Good stuff!
  • San Francisco Virtual Tour
    “An interactive photo documentary Walking Virtual Tour” — and that’s just what we have here, a staggering amount of work. Kudos!
  • SF Journey (German language)
    A German-language travel guide to San Francisco and the West Coast: “Ihrem Reiseführer nach San Francisco an der Westküste der USA”
  • Wells Fargo History Museum
    This colorful museum features a beautiful stagecoach, piles of real gold, and many other exhibits focusing on San Francisco’s Gold Rush history. Even cooler, it’s located on the very spot in which Wells Fargo opened for business in 1852!

San Francisco History Organizations

  • San Francisco History Association
    A group “Dedicated to Remembering San Francisco’s Past” — they sponsor regular talks, slide shows, and guest speakers on a fantastically diverse array of subjects.
  • San Francisco Gay and Lesbian Historical Society
    Often referred to as San Francisco’s “queer Smithsonian,” the GLBT Historical Society houses one of the world’s largest collections of lesbian, gay, bisexual and transgender historical materials. The society’s GLBT History Museum is the first full-scale, stand-alone museum of its kind in the United States.
  • San Francisco History Museum and Historical Society
    The San Francisco Museum and Historical Society is dedicated to preserving, interpreting and presenting the historical heritage of San Francisco.

  • Treasure Island Museum
    Once upon a time there was a museum on Treasure Island. Someday it may return, but ’til then, enjoy the museum’s website, featuring a “Memory Book” message board, info about the collections in storage, and “Treasures”, an illustrated history of the Fair.
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Video: City of White Gold, San Francisco in the Gilded Age

 

Contact Us

Please send comments or questions to cityofwhitegold@att.netThank you!

Meet the Crew
  • Geordie Lynch
  • David Brown
  • George Kelly
  • Ben Ferrer
  • Jason Williams

Co-Producer/Co-Director. Geordie is a filmmaker who comes primarily from a post-production background. He has been motion graphics designer, production assistant, and assistant editor with various production and post-production companies, including for the award-winning television series ‘More Than Entertainment’ for Frame By Frame Productions. He most recently created, directed, co-produced, and co-wrote a half-hour sketch comedy for cable television.

With a passion for history and the film arts, he is now answering the call to blend the two spheres together.

Be a part of inspiring,promoting, and preservingAmerica’s western heritage.Make a tax-deductible donation to production of this film.

For more information or to donate to this work in progress: City Of White Gold

 

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